high voice required vocal songs

Essential Solo Songs : for High Notes

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Key Solo Songs for High Notes: A Guide to Vocal Range

hard hitting guitar songs

Theater Songs for Growing High Notes

Theater songs lay a strong base for learning high notes with clear note patterns. The song “Defying Gravity” from Wicked needs sharp control of high notes, while “Think of Me” from Phantom of the Opera aids in fine head voice work and smooth shifts.

Big Ballads for Deep Voice Work

Well-known big ballads are great for building voice mix skills and strong voice feel. The song “Open Arms” by Journey tests singers with long high parts, while Heart’s “Alone” needs top skill in mixing soft and strong sounds high up.

Rock Songs for More Range

Metal and hard rock songs really test voice limits. Iron Maiden’s “Number of the Beast” boosts strong loud volume skills up to D5, while Judas Priest’s “Painkiller” calls for top-notch high light voice skills up to A5 notes. These songs need:

  • Even breath support

  • High soft mouth part

  • Smart vowel changes

  • Even strong feel through all notes

Each song helps build voice power and control, making a strong base for hitting tough high notes in many music types.

Key Big Ballads: A Guide to Vocal Shows

Main Big Ballad Moves

Big ballads from key rock times give great chances for singers to show deep skills and real feel.

Classic rock ballads from the 1970s and ‘80s are key songs for new singers, with hard voice parts that need sharp control and strong power.

Famed Songs and Core Needs

Journey’s “Open Arms” is a big example in singing high parts well, with key high G notes needing right note control all over the hook.

Heart’s “Alone” tests singers with important low-to-high voice shifts, while Foreigner’s “I Want to Know What Love Is” shows deep mixed voice work up high.

Deep Moves for Big Ballads

Strong breath help and wide throat room control are base for big ballad shows.

Bonnie Tyler’s “Total Eclipse of the Heart” needs top-level change control while keeping power in high parts.

Whitesnake’s “Is This Love” shows how key vowel change moves are during rising tune lines.

Work and Growth Plans

Getting good at high note shows needs step-by-step work, starting with short parts and then moving to full tune parts. Focus on:

  • Even strong feel placement

  • Light feel during big feel points

  • Even power through all notes

  • Long note hold in strong parts

Mastering High Notes in Theater Shows

Key High Part in Broadway Songs

Voice control and high note skills are key needs for top Broadway parts.

Tough tunes like “Defying Gravity” from Wicked and the lead song from “The Phantom of the Opera” need lots of prep, mainly in using the voice mix through the passing range.

Breath Help and Note Control Moves

Long high notes in songs like “On My Own” from Les Misérables ask for top breath help and control.

The high C# in “The Music of the Night” needs right note place and best voice feel.

Christine’s long part from “Think of Me” is a great drill for growing high part bend and control.

Male Voice Moves in Broadway Hits

Male singers face their own tests in key songs like “Gethsemane” from Jesus Christ Superstar and “Being Alive” from Company.

These tunes ask for skills in the mix of head and voice shift.

Keeping a wide throat while holding the voice box through voice shifts is key, mainly during big feel highs in the passing high range.

Deep Voice Thoughts

Pro show moves need:

  • Even breath help

  • Right note control

  • Right strong feel place

  • Smooth voice shifts

  • Steady voice box place

These parts work together to make the strong, controlled sound needed for top Broadway shows.

Deep Voice Moves for Rock and Metal Singers

singers reaching peak notes

High Note Skills in Hard Music

Rock and metal voice need top control and moves to hit hard high notes well.

The secret is in getting good at the mix of controlled rough sound and mixed voice work.

Classic Metal Voice Work

Iron Maiden’s “The Number of the Beast” is a must-learn for high loud singing while keeping low sound feel.

The song’s key D5 screams, made known by Bruce Dickinson, ask for right passing control and strong breath help.

Deep Light Voice Work

Judas Priest’s “Painkiller” shows top light voice moves with Rob Halford’s clear A5 notes. Hitting these strong high notes needs:

  • Even breath help

  • Steady voice box place

  • Mixed voice growth

  • False cord use for controlled rough sound

Long High Note Shows

Journey’s “Separate Ways” shows top long high note hold through Steve Perry’s strong B4 parts. Key moves include:

  • Vowel change during rising

  • Narrow mouth set-up

  • High soft mouth part hold

  • Step-by-step power build through note gaps

  • Full voice warm-up sets

  • Smart work within voice limits

Mastering Today’s Pop Voice Moves

Key Breathing and Help

Right breath help is key for tackling today’s pop voice work.

Focus on building even air flow through your passing while keeping belly tight. This base lets singers handle hard new songs with hold and control.

Deep Voice Move Work

Mixed voice work is key for now’s pop shows.

The secret lies in smooth shifts between low and head voice, mainly during hard tune parts. Vowel change moves help get these hard parts right while keeping tone even considered how much those

Pro Loud Voice Moves

Getting good at today’s loud voice moves needs right mix of many voice parts:

  • Right cord close

  • Open throat room

  • High soft mouth part

  • Smart strong feel place

  • Controlled change in strength

High Note Control

High note skills need close watch on:

  • Steady voice box through voice shifts

  • Even muscle work

  • Smart breath use

  • Right tone place

These base parts let singers go through hard new pop tunes while keeping voice health and true style.

Voice Work Through Jazz Hits: A Tech Guide

Key Hits for Voice Work

Jazz hits give great chances for growing need voice moves and music skills.

“Fly Me to the Moon” and “The Way You Look Tonight” are base songs for getting good at note gaps and high note work, making them must haves in any singer’s drill list.

Deep Tune Work

Tune parts in hits naturally build voice power and quick moves.

“All the Things You Are” has right parts for growing mixed voice shifts, while “Misty” builds breath help through long parts.

These tunes use note runs and smart extras that make pitch right and tone sharp.

Pro-Level Voice Moves

For deep voice work, “My Funny Valentine” and “Body and Soul “ ask for top skills in change control and vowel change through the passing range.

These hard tunes need skilled smooth singing while going through hard tune bends.

Right strong feel place through voice shifts is key, mainly when working through parts near the second passing, making sure smooth voice shifts.

Technical Focus Areas